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By Brigethia A. Guins-Jamison, Syracuse Stage
“Ain’t Misbehavin'” brings the audience back to the nightlife of a nineteen thirties Harlem jazz club. This musical revue, at Syracuse Stage through Sunday, celebrates the jazz legend Fats Waller, whose music played a significant role in defining the swinging sound of the Golden Age of the Cotton Club.
We sat down with costume designer Greg Horton to ask about his designs for the play and the influences Men’s Print Colorful Bandana Short Sleeve T Shirts behind them. Horton has worked professionally as visitor director and costume designer for theaters all around the country, such because the Penumbra Theatre in Minnesota, the Colorado Shakespeare Festival, the Utah Shakespeare Festival, and The Ensemble Theatre in Houston, Texas. Previous designs embody “A Midsummer Night’s Dream”, “Sweet Charity”, “The Glass Menagerie”, August Wilson’s “Fences”, “The Wiz”, and plenty of extra. Horton holds offices in two nationwide theatre organizations: band clip art Black Theatre Community (BTN) and the United States Institute of Theatre Know-how (USITT). Currently he’s on school at North Carolina A&T State College within the Department of Visual Performing Arts/Theatre (NCAT).
Horton’s designs for “Ain’t Misbehavin'” illustrate what folks frequently wore while out on the town during Waller’s time. Horton defined that he did extensive analysis to learn about trend of the Harlem Renaissance. In the present, the women wear lengthy, flashy, colorful gowns mirroring the flapper dresses of the 1920s and 30s. The males wear fits with top hats, some harking back to formal tuxedos. The women praise their gowns by carrying silk gloves and high-heeled sneakers, expressing elegance, gracefulness, and flamboyancy. Because the girls dance and sing, their gowns move effortlessly with them, a testomony to Horton’s expertise in design.
The next is a short dialog with Horton about some of the costumes for “Ain’t Misbehavin.'”
When did you start designing clothes?
I started designing clothes when I used to be in college. My dream was to be a vogue designer. I’d participate in class fashion exhibits on a regular basis. I studied residence economics in undergrad and that i shortly discovered that being a fashion designer was not exactly what I needed to do. I enjoyed creating designs for performs. I attended Michigan State University for graduate college studying costume design.
How did you come up with the designs for the costumes?
I checked out a variety of Harlem Renaissance photographs and researched what men and women wore back in the 1920s. I needed each look to be very believable to the time. We had been specific on the colours and it labored out very nicely. After I did my research I put collectively some renderings to ship to the [Syracuse Stage costume store] to create the costumes. The males’s costumes had been really bought in stores because a number of thirties males’s clothing remains to be round.
How a lot of an impression did the costumes have on the meaning of the play?
The costumes play such a huge role in the which means of the play. Now in the present day, society pays so much consideration to the visible. The first thing folks take a look at when they come into the theatre is the costumes. The costumes can tell the character’s personality, time-period, tone and temper. Below the white dresses, there are purple, white and blue colours to indicate that “Ain’t Misbehavin'” is not only for African American families but additionally for everybody in America.
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